Hannibal Square Heritage Center                          
  642 West New England Avenue, Winter Park, FL 32789 407-539-2680 Open Tues. - Thurs. noon - 4pm, Fri. noon - 5pm, Sat. 10am - 2pm
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Visiting Exhibitions

Crealdé School of Art’s Hannibal Square Heritage Center Visiting Exhibition Series presents cultural and visual arts offerings in a variety of mediums—folk art, photography, painting, quiltmaking and historic artwork by famous African-American artists, as well as opportunities for hands-on involvement and community collaboration. Our offering is unique to Central Florida, yet we have taken inspiration from various Centers for African-American history and culture which present the blend of permanent exhibitions and installations with changing cultural, artistic and historical exhibitions, including The King Center in Atlanta, Georga; The LaVilla Museum in Jacksonville, Florida; The Afro-American Cultural Center in Charlotte, North Carolina; The Riley Museum in Tallahassee, Florida; and the American History Museum of the Smithsonian Institute in Washington D.C.

The visiting exhibitions are generally located on the second floor of the Heritage Center; however, some are two-venue exhibitions utilizing both the gallery space at the Heritage Center and the Alice & William Jenkins Gallery on the main campus of the Crealdé School of Art in Winter Park.

The Visiting Exhibition Series at the Hannibal Square Heritage Center is funded through a Tourist Development Grant from the Orange County Government, Department of Arts and Culture and the Community Redevelopment Agency of the City of Winter Park.


Exploring Heritage and Folklore through the Visual Arts and Humanities

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Established in 2007, the Hannibal Square Heritage Center hosts three to four annual exhibitions that explore local history, cultural preservation, the African-American experience and Southern folklore through educational and visual arts mediums including documentary photography, painting and textiles.

February 5 – April 2, 2016
Art Legends of Orange County: The Rite of Passage – A Collection of Work by Grady Kimsey from the 1940s to the Present

This retrospective exhibition is part of a 2016 collaboration titled Art Legends of Orange County, Florida that features a series of exhibitions at multiple museums honoring pre-Disney leaders in the arts from 1932 to 1982, including founders of arts organizations, influential arts educators, significant patrons and artists who have brought national or international attention to Central Florida.

Grady Kimsey is one of Central Florida’s most accomplished artists and most popular arts educators. He has enjoyed success as a sculptor, ceramicist and painter, with eight decades of life experiences to draw upon for inspiration. He received his B.A. in Fine Arts from the University of Tennessee in 1950 and his Master’s Degree in Education from Rollins College in Winter Park in 1969.

Kimsey retired after a 25-year career as a professor of art at Seminole Community College (now Seminole State College of Florida), where he founded the Fine Arts Gallery in 1980 and literally inspired thousands of students, including some of Central Florida’s most recognized artists. His national exhibition record spans nearly six decades, and his work is in the collections of some of Florida’s top art museums and the Smithsonian’s Renwick Gallery in Washington, D.C. He is a two-time recipient of an Individual Artist Fellowship from the State of Florida.   

The celebration of Kimsey’s influence will encompass exhibitions in all three Crealdé galleries. Kimsey’s most recent work and his older work dating to 1949 will be featured in the Alice & William Jenkins Gallery and the adjacent Showalter Hughes Community Gallery. Across town, at Crealdé’s Hannibal Square Heritage Center, additional work by Kimsey and current work by his former students titled Progressions: Work by Former Students of Grady Kimsey will demonstrate the spectrum of his mentorship and his impact on these accomplished artists, including Paula Peterson, Paula Pell, Henry Sinn, Randall Smith, Cheryl Smith, Kyle, Pam Coffman, Jay Spalding, Carlos Richmond, Melissa Kimsey-Hickman, Greg Freeman, Cindy Freeman, Marty Whipple and Lynn Warnicke.

Also featured at this time will be a selection of paintings by Crealdé founder Bill Jenkins titled Art Legends of Orange County: The Inspired Paintings of Crealdé Founder Bill Jenkins.

April 15 – June 25, 2016
Tom Rankin: Sacred Landscapes of the South

For over 25 years, North Carolina photographer Tom Rankin has documented rural churches and their surrounding sacred landscape. The exhibition of large-scale, film-based, black-and-white photographs will show his artistic interpretation and studies of the ever-changing landscape during his repeated visits to the same locations.

Tom Rankin is the former director of Duke’s Center for Documentary Studies, and current professor of the practice of art and documentary studies, and director of the MFA in Experimental and Documentary Arts at Duke University. A photographer, filmmaker and folklorist, Rankin has been documenting and interpreting American culture throughout his career. His photographs have been published widely in numerous magazines, journals and books, and he has exhibited throughout the country. His books include Sacred Space: Photographs from the Mississippi Delta (1993), which received the Mississippi Institute of Arts and Letters Award for Photography; 'Deaf Maggie Lee Sayre': Photographs of a River Life (1995); Faulkner's World: The Photographs of Martin J. Dain (1997); and Local Heroes Changing America: Indivisible (2000).

The weekend’s opening events will begin with a 7–9 p.m. reception at the Jenkins Gallery on Crealdé’s main campus with a brief gallery talk by Tom Rankin on Friday, April 15. The evening also serves as the opening reception for The Florida Painters Return to Crealdé. (Hosted by the Crealdé Ceramics & Sculpture Fellows and Photography Fellows.)

The following night, Saturday, April 16, our guest artist will present a formal lecture on his documentary photography of the American South in partnership with the Cornell Fine Arts Museum at the Rollins College Bush Auditorium at 7 p.m.; preceded by a reception at Crealdé’s Hannibal Square Heritage Center from 5–6:30 p.m., where Rankin’s work also will be on exhibition.  


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On left, “Mound Bayou, Mississippi” by Tom Rankin
On right, “Mt. Tinna Missionary Baptist Church, Scott, Mississippi” by Tom Rankin


April 30, 2016
Seventh Annual Hannibal Square Heritage Center Folk & Urban Art Festival
The festival celebrates the works of more than 25 artists, including members of the original Florida Highwaymen and the B-Side Artists collective. Music by the Porchdogs Cajun and Zydeco Band and Orisirisi African Folklore. A “Kid-folk” workshop culminates in a public parade. Food trucks. Free admission. 10 a.m.–4 p.m. Saturday at Hannibal Square Heritage Center.

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The festival features original art by locals, music and free hands-on art workshops for participants of all ages.


July 12 – September 3, 2016
Phase VIII of The Heritage Collection: Photographs and Oral Histories of West Winter Park

After more than a decade of collecting photographs and oral histories from west Winter Park residents and former residents, the Heritage Center will display its entire Heritage Collection: Photographs and Oral Histories of West Winter Park, featuring a powerful new addition of images and stories from Hannibal Square that have never been seen before. Phase VII was shared by the Collins family, whose father was a lifelong avid amateur documentary photographer.

Crealdé’s nationally recognized Heritage Collection is a permanent museum-quality exhibition of over 125 framed archival pieces that capture the lives of Winter Park’s African-American community spanning the 20th century. As rapid gentrification continues to change the cultural landscape of Hannibal Square, the growing collection is an important tribute to one of Florida’s oldest African-American communities. The exhibition is curated by documentary photographer and Heritage Center founder Peter Schreyer with Hannibal Square Historians Fairolyn Livingston and Mary Daniels. A reception will be held from 6–8 p.m. Friday, July 22.


Photographs from Phase IV of the Heritage Collection: left, in this photograph from the 1940s, Ms. Sue Mons Thomas is posing in her military uniform down by the Winter Park railroad tracks. She was very proud to serve her country as a WAC, or army nurse. Right, this is a Rountree family portrait, circa 1950. The men standing left to right are Mr. Lonnie Rountree, his son Rudolph, and seated is little Juanita and her mother Claudia Mons Rountree. 

September 16, 2016 – January 16, 2017
Spinning Yarn: Storytelling through Southern Art

This exhibition will include over 50 visual artworks created by artists living and working in the South, exploring the power of visual storytelling. In the southeastern United States, deep roots, a sense of place and cultural diversity has allowed a rich variety of art to adapt, develop, grow and flourish. The South is well-known for its strong literary and oral traditions, but the sharing of stories is not exclusive to the written and spoken word. Southern visual artists, whether formally trained, self-taught, contemporary or traditional, also share their personal experiences, create tales and interpret events, just as their literary and lingual counterparts do with words. The exhibit will feature artists that exemplify the ability to relay a narrative or “spin a yarn” through their pieces. Art will be displayed in thematic sections that will include but are not limited to the following: faith and belief; family and home; and history and heritage.

Artwork will be borrowed from private and institutional art collections as well as from the artists. Loans have been secured from private collections including Scott Blackwell and Ann Marshall (Charleston, SC) and William Arnett’s Souls Grown Deep Foundation (Atlanta, GA). Spinning Yarn is co-curated by Teresa Hollingsworth (Folklorist and Senior Program Director, South Arts, Atlanta, GA) and Katy Malone (Visual Artist and Outreach & Education Manager, Zuckerman Museum of Art, Kennesaw, GA). The exhibition will be held in the Jenkins Gallery and at the Hannibal Square Heritage Center.

The opening event will begin with a 7-8:30 p.m. reception Friday, September 16, at the Jenkins Gallery with a brief gallery talk by Teresa Hollingsworth. The evening also celebrates the opening of LIGHTSOURCE: Richard D. Colvin. (Hosted by the Crealdé Painting & Drawing Fellows.)

The two-venue opening continues at the Hannibal Square Heritage Center from 8:30-10 p.m. with a live music reception; Friday, September 16.


On left, Get Y’all's Heads Outta the Moonlight" by Cathy Fussell

On right, “Bharatanatyam Dancer,” chair, by Sabiha Mujtaba




November 7, 2014 to January 31, 2015
Visionary Bill Jenkins: Crealdé Founder, Artist and Philanthropist — Jenkins Gallery and Heritage Center. In celebration of Crealdé’s 40th anniversary, we remember late founder William Sterling Jenkins (1909-1996) in a two-gallery presentation. Trained as an artist in Europe and Mexico in the 1930s, he produced a body of landscape and portrait paintings influenced by the places he traveled to as a young man, and the changing cultural landscape of his native American South.

February 6 – May 23
From the Bronx to Florida: The Life Sculptures of Rigoberto Torres — Jenkins Gallery and Heritage Center. Puerto Rican-born sculptor Rigoberto Torres worked in New York City for two decades before moving to Kissimmee, where he currently lives and works. Seen and collected throughout the world, Torres’ colorful life-size plaster and fiberglass figurative sculptures are rooted in a celebration of daily life in the South Bronx neighborhood where he grew up. His work, described as “humanistic naturalism,” provides sensitive studies of real people — family, friends, neighborhood heroes and strangers he has met during public castings. The two-gallery exhibition begins with a reception 7-8:30 p.m. Friday, February 6, in the Jenkins Gallery and continues with reception featuring Latin jazz 8:30-10 p.m. at Hannibal Square Heritage Center.

June 19 – August 29
St. Augustine at 450 The latest Crealdé Documentary Project was created during a winter photography master class, which yielded photographs and oral histories of America’s oldest city during its anniversary year. The exhibition examines the city’s past, its preservation efforts, and its place as a tourist destination, college town and home to a diverse population. Produced and curated by faculty members Sherri Bunye and Peter Schreyer. The opening reception is 7-9 p.m. Friday, June 19.

September 11 – December 30
The Sum of Many Parts: Quiltmakers in Contemporary America – Jenkins Gallery and Heritage Center. Crealdé will be one of the first domestic hosts for this internationally traveled exhibition by leading quilt artists from across the United States. Artists include traditional Native American quilter Bonnie LeBeau, from South Dakota; Dottie Moore of North Carolina; Erick Wolfmeyer of Iowa; and Louisiana Bendolph from Alabama, following the 19th-century tradition of Gee’s Bend quilts. The exhibition is a program of Exhibits USA and the National Endowment for the Arts. This two-venue exhibition will also feature a display of locally created quilts, curated by folklorist and author Dr. Kristin Congdon. The reception is 7-8:30 p.m. Friday, Sept. 11, at the Jenkins Gallery on the main campus, followed by a continued reception with live music 8:30-10 p.m. at the Hannibal Square Heritage Center.


Archive of Exhibitions


Purvis Young: Urban Expressionist
January 24 – March 29, 2014

Miami resident Purvis Young, 1943-2010, was an African American artist who commented on the state of his Overtown community through his artwork. Using plywood, cabinet doors, and other debris tossed out by his neighbors, he created art that speaks about the present day lives of black people. His painted depictions of funerals, uprisings, and cityscapes all cry out for a rebirth of wellness, while his painted books relay the African American story that history made invisible through neglect.

Overtown was an impoverished and segregated community during Young’s lifetime. Like several of his peers, he dropped out of school and turned to crime, serving three years at the Raiford State Prison at the age of eighteen.  In prison, Young was visited by an angel with the message that incarceration was not to be the path of his life, and from that moment he turned his life around by making art, which he had loved as a boy.  He made art passionately and also became a social activist, deeply affected by the Civil Rights movement of the 1960s.

His urban mural entitled Godbread Alley, which was visible from the freeway that cut through Overtown, made him a familiar name in his community and in the public art world. His work became of great interest to art scholars, collectors and community members, which led him to exhibitions in museums and galleries around the world, including the Bass Museum in Miami, the Corcoran Gallery in Washington, D.C., the High Museum in Atlanta, Georgia, and the Smithsonian American Art Museum in Washington, D.C. In 1999, the Rubell Family of Miami bought the entire contents of Mr. Young’s studio at the time, which accounted for as many as 3,000 pieces of art.

A selection of his paintings and books will be on loan from Volusia County art collector Lisa Stone. An opening night panel discussion, Exploring African American Communities through the Art of Purvis Young, will be moderated by folklorist and UCF Professor Emeritus Kristin Congdon, Ph.D. This panel will discuss the ways in which Young’s perspective of the African American community, specifically and in general, has merit. It will also address Young’s vision of making change.

The opening event begins with the panel discussion from 6:00 to 7:00 p.m. at Mt. Moriah Missionary Baptist Church, followed by a reception with live music from 7:00 to 9:00 p.m., Friday, January 24, at the Heritage Center.

March 29, 2014
5th Annual Hannibal Square Heritage Center Folk Art and Craft Festival
The Festival features work for sale by Florida folk 6/27/20132/25/2014and traditional craft artists, including the original Florida Highwaymen painters, and Crealdé ceramicists, as well as live folk music, local soul food, displays by vendors and a free, hands-on “Kid Folk” Storybook Workshop that combines art and poetry for ages 5 and up. (See photos below.) Saturday, 10:00 a.m. to 4:00 p.m. on March 29. 

April 4 – June 29, 2014
One Place: Paul Kwilecki and Four Decades of Photographs from Decatur County, Georgia

Paul Kwilecki was born in Bainbridge, Georgia and died there in 2009. In between he raised a family, ran the family’s hardware store, and taught himself to use a camera. During his decades of working on his opus—in his home terrain, Paul used different words to describe it –“my project,” a “photographic journal” and, perhaps most often, “a document.” “None of these rather simplistic words and descriptions communicate the nuance of his work; I know of no single body of work with a reach and resonance of what Paul accomplished in Decatur County,” says Tom Rankin, curator and director of the Center for Documentary Studies (CDS) at Duke University in Durham, North Carolina. “While Paul ranks among the most important documentary photographers of the 20th century, he is also one of the least well known. In his own words, Paul Kwilecki says, “I don’t make pictures to decorate walls; I make them to shed light in dark corners.”

This exhibition of 48 framed silver prints spanning the artist’s career is on loan from the CDS. Crealdé will display the collection in two locations, at the Alice & William Jenkins Gallery at Crealdé’s main campus and at the Hannibal Square Heritage Center Visiting Exhibition Gallery in downtown Winter Park.

Opening night reception and gallery talk with Tom Rankin, Friday April 4, 2014, from 7 to 8:30 at the Jenkins Gallery followed by a blues performance and continued reception at the Hannibal Square Heritage Center from 8:30 to 10:00 p.m.

July 18 – October 25, 2014  
Business as Community Life: Winter Park 2013
A collaboration between Crealdé School of Art and the Winter Park Historical Association.

The purpose of this project is to portray the Winter Park Business community of 2013 for a contemporary exhibition and a valuable historic record for future generations. As a reflection of contemporary culture, a cross-section of businesses were selected for this documentary. Twelve advanced Crealdé students, under the direction of professional documentary photographers Peter Schreyer and Sherri Bunye, photographed 28 businesses, chosen based on their value as historic architecture or long-term presence in the community. The exhibition will feature both interior and exterior images, night photographs, merchandise and environmental portraits. After the closing of the exhibit, the Winter Park Historical Association will include the work as part of their permanent archive. Opening reception and gallery talk, Friday, July 18, 7 to 9 p.m.

November 6, 2014 – January 31, 2015  
Visionary Bill Jenkins: Crealdé Founder, Artist and Philanthropist

As a kickoff to Crealdé’s 40th Anniversary year, our organization remembers the vision and the artwork of our late founder William Sterling Jenkins (1910 to 1996) in a two gallery presentation. Trained as an artist in Europe and Mexico in the 1930’s, he produced a beautiful body of landscape and portrait paintings of the places he travelled to as a young man, as well as the changing cultural landscape of his native American South. After serving in active duty during World War II, he worked for the Veteran’s Hospital in Florida where he was inspired to create a rehabilitative art program for veterans. After moving to Winter Park, Florida in the late 1940’s he founded Jenkins Construction and built many of the city’s residential communities and shopping centers. In the midst of his business successes, he never lost sight of his dream to establish a community-based art school where individuals of all ages and background could come and study in a nurturing and inclusive environment with professional artists. In 1975 he fulfilled this vision and established Crealdé School of Art at its current location.

Opening reception, Friday, November 7, beginning with a panel discussion on the legacy of Crealdé’s founder, from 6:00 to 7:00 p.m. at the Jenkins Gallery followed by a continued reception with live music at the Hannibal Square Heritage Center from 8:30 to 10:00 p.m.


January 18 – April 13
Sewn Together: Photographic Quilts Reflecting the Historic Family Ties of Eatonville, Maitland and Winter Park
As a tribute to the 125th anniversary of the incorporation of the City of Eatonville, the oldest African American municipality in the United States, Crealdé’s Hannibal Square Heritage Center will create an exhibition that explores the strong family ties between the three neighboring communities. The Heritage Center Quilting Guild, inspired by quilting artist Lauren Austin’s 2009 residency and exhibition, will host an intergenerational workshop in the fall of 2012. Seven selected families will complete a 35” x 35” quilt that tells the story of their connection to one or all of the three cities. Additionally, three 24” x 24” collaborative quilts will weave together stories depicting the relationships in the African American communities of the three cities. Opening reception Friday January 18, 6:00 to 8:00 p.m.

Heritage Center Chief Historian Fairolyn Livingston will provide historic research for the project; west Winter Park resident and Heritage Center Docent Mary Daniels will be the quilting project leader, assisted by Crealdé’s Painting & Drawing Department Director Henry Sinn as the artistic curator.

April 19 – September 7, 2013
Preaching to the Trees and the Animals: The Folk Art of O.L. Samuels’

As the opening event for this year’s Folk Art and Craft Festival, the Heritage Center will feature one of America’s most noted folk artists in a one-person exhibition. The Tallahassee artist will show his private collection of elaborately carved wood sculptures that represent his love for the natural world.

Samuels left his Georgia home when he was eight for a life of both struggle and adventure that included travels around the world as well as a life as a professional boxer in New York. Eventually he made his way to Florida where he worked as a tree surgeon. A severe accident on the job 30 years ago paralyzed him for three years, during which time he rekindled his love for God, who he credits for opening a path of light that led him to further develop his talent as an artist. 

Pastor O.L. Samuels’ sculptures of birds, dogs, camels and other animals have been exhibited and collected in over 30 countries, throughout Europe, China, Africa and the Middle East. His work is in the permanent collection of the Smithsonian’s Folk Art Museum and the White House in Washington D.C.

In addition to work from O.L. Samuels’ private collection, the exhibition will feature two large carved animal sculptures from the collection of the Mennello Museum of American Art.

Opening event lecture with artist from 6:00 to 7:00 p.m. at Mt. Moriah Missionary Baptist Church, followed by a reception with live Blues music from 7:00 to 9:00 p.m., Friday, April 19 at the Heritage Center.

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April 20
4th Annual Hannibal Square Heritage Center Folk Art and Craft Festival
The Festival will feature work for sale by Florida folk and traditional craft artists, including the original Florida Highwaymen painters, and Crealdé ceramicists, as well as live folk music, local soul food, displays by vendors and a free, storytelling, and a hands-on “Kid Folk” workshop entitled “The Aztec Encounter and Musical Parade,” led by Crealdé artist, Lilly Carrasquillo and Mexican folk artist, David Penaflor for ages 5 and up. Saturday, April 20, 10:00 a.m. to 4:00 p.m.

September 20, 2013– January 11, 2014
Art from the Heart of Florida

The two-location exhibition will be held in the Alice & William Jenkins Gallery at Crealdé’s main campus and the Hannibal Square Heritage Center Visiting Exhibition Gallery in downtown Winter Park. The exhibition is inspired by the diversity of talented visual artists who call Central Florida home. There is a certain “Florida state of mind” that is reflective of the art produced in the center of the state. The skies are brighter here and there is a potent mix of identities that contrasts and combines old Florida with the bright sprawl that also forms a basis for our day to day life in the tourist corridor. The focus of the show is to highlight the work of local artists representing diverse interpretations and media, including sculpture, paintings and photography.

Positioned between the Atlantic Ocean and the Gulf of Mexico, Central Florida is a meeting place of many contrasts: vast amusement parks and suburban sprawl contrasted against communities with rich, historic architecture and numerous unique ecosystems. It is a bridge between the sultry international mix and bright landscape that is South Florida and the more restrained, forested, small-town feel of the Northern part of the state. Curated by Executive Director Peter Schreyer and Director of Painting & Drawing Henry Sinn.
Opening night reception, Friday, September 20, from 7:00 to 8:30 at the Jenkins Gallery followed by a musical performance and continued reception at the Heritage Center from 8:30 to 10:00 p.m

2012 Visiting Exhibition Series

January 20 – April 21
The Art of Missionary Mary Proctor
Prior to becoming an artist, Mary ran a junk and odds and ends store in rural north Florida. Told by God thatthe door is the way,” she began to paint on an old door lying in her yard, and thereafter her focus turned to art making. Using found objects from her junkyard, (now her American Folk Art Museum & Gallery), Missionary Mary crafts three dimensional assembled works from buttons, mirrors, jewelry and other trinkets. Some works are inspired by bible scripture and others by memories of her grandmother or her childhood and most include written messages of spiritual truths or life lessons.

Mary has exhibited her work nationally through galleries, festivals and in visiting and permanent collections in museums including the Museum of African American Art in Tampa, the Mennello Museum of American Art in Orlando, the Museum of Florida History in Tallahassee, the AmericanVisionaryArt Museum in Baltimore, and at the House of Blues in Orlando, Chicago and New Orleans. She has won numerous Best in Show awards, and has been featured in the New York Times, and the Smithsonian Magazine, Raw Vision Magazine, and Modern Maturity Magazine.

April 21
3rd Annual Hannibal Square Heritage Center Folk Art and Craft Festival
The Festival features work for sale by Florida folk and traditional craft artists, including the original Florida Highwaymen painters, and Crealdé ceramicists, as well as live folk music, local soul food, displays by vendors and a free, hands-on “Kid Folk” Storybook Workshop that combines art and poetry for ages 5 and up. (See photos below.) Saturday, 10:00 a.m. to 4:00 p.m. on April 21.

May 11, 2012– January 31, 2013
The Sage Project: Hannibal Square Elders Tell Their Stories
A photographic documentation of Winter Park’s historic yet marginalized African-American community and the corresponding exhibition “The Sage Project: Hannibal Square Elders Tell Their Stories.” Established in 1882 and incorporated in 1887, west Winter Park, also known as Hannibal Square, will celebrate its 125th anniversary in 2012. Through the art of documentary photography by Heritage Center founder Peter Schreyer, and oral histories collected by Center historian Fairolyn Livingston, the memories and stories of elders from one of the nation’s oldest African-American townships will become an exhibition at Crealdé’s Hannibal Square Heritage Center. It will also be added to the permanent collection of the Center, reaching local residents and visitors of all ages and backgrounds.
Images to come after January 1, 2012.

September 14 – December 29
Keeping Haiti in Our Hearts: Interpreting Heritage in the Diaspora
Heritage Center and Alice & William Jenkins Galleries–Keeping Haiti in Our Hearts. An exploration of Haitian art, culture and history will be presented through paintings, photography, sculptures and folk art from the University of Central Florida in Orlando and the collection of Butler H. Smith, Jr. and Betty Ford-Smith in Sebring, Florida. Curators Natalia da Silva and Henry Sinn will be aided by Haitian native cultural experts, anthropologist Dr. Gerald Murray and folklorist Dr. Kristin Congdon. Sponsored by the Consulate of Haiti in Orlando and the Greater Haitian American Chamber of Commerce of Orlando.
A two-location opening reception is scheduled to start from 7 to 8:30 p.m., Friday, September 14, at the Alice & William Jenkins Gallery located at 600 St. Andrews Blvd., and will be followed by a reception from 8:30 to 10 p.m. at the Hannibal Square Heritage Center, featuring a live Haitian musical performance and located at 642 W. New England Avenue in Winter Park. All events are free.

2011 Visiting Exhibition Series

Connecting Andre Smith and Zora Neale Hurston: Maitland and Eatonville as Joining Communities

Adapted for the Heritage Center by Richard D. Colvin, Curator at Maitland Art and History Association

January 21 through April 9, 2011

The powerful, recently restored paintings of Andre Smith, a contemporary of Zora Neale Hurston, will be on loan from the Maitland Art and History Association to coincide with the Zora! Festival. The exhibition features 20 paintings by the Maitland Art Center’s founder, visionary artist and architect Andre Smith (1880-1959) depicting Eatonville, home of author Zora Neale Hurston, in the 1930s and 40s, accompanied by text panels of Eatonville folklore and photographs. The exhibition explores the relationship between these two artists, their creative endeavors, and their respective communities. The vibrant colors and narrative style reflect the trend in painting during the 1930s, when the Italian Renaissance fresco style painting was revisited, as reflected in the work of Mexican muralists such as Diego Rivera and in the W.P.A. (Workman’s Progress Administration) murals, which are in public buildings throughout Washington D.C. and present an inspirational image of the hard work and contributions of common people. Filled with beautiful landscapes and moments in community life, this exhibition, originally curated by the late cultural historian Dr. Beverly Robinson of U.C.L.A., will be adapted for the Heritage Center by Richard D. Colvin, Curator at Maitland Art and History Association.

The Art of Uncle Monday and Other Florida Tales

April 15 to August 27, 2011

See framed prints of work by the late Kitty Kitson Petterson which illustrate Dr. Kristin G. Congdon’s book: Uncle Monday and Other Florida Tales. The tales go back over 100 years. Large illustrations vividly express the humor, fright, and other emotions in the stories.

Mid-Century: A Photographic View of Three African-American Communities in Florida.

September 9 to December 30, 2011

Ellie Lee Weems (Record Store)

A two venue exhibition at the Hannibal Square Heritage Center and the Alice & William Jenkins Gallery featuring Ellie Weems, Gordon Parks, and selections from residents’ family photographs of the Hannibal Square community in West Winter Park. Curated by Peter Schreyer, in partnership with La Villa Museum in Jacksonville, and The Southeast Museum of Photography in Daytona Beach.


2009-2010 Visiting Exhibition Series

Just Above the Water: Florida Folk Art

curated by Kristin Congdon and Tina Bucavalas
April 9 through June 26, 2010
Opening reception: Friday April 9

Just Above the Water looks into the lives of thirty-five Florida folk artists. These artists, in many cases self-taught, show us another perspective of life—one that is inspired by their everyday customs, their working and living environments, and their community traditions.

The thirty-five framed panel exhibit, on loan from The Museum of Florida History in Tallahassee, is based on the book Just Above the Water: Florida Folk Art by Kristin Congdon and Tin Bucuvalas. The book is the culmination of a five-year project encompassing thorough on-site research and many hours of interviews with the folk artists. On the opening night, a lecture will be held at adjacent Mt. Moriah Missionary Baptists Church, where attendees will be able to interact with authors and exhibition curators Kritsin Congdon and Tina Bucuvalas.

Hannibal Square Folk Art Festival

In conjunction with Just Above the Water: Florida Folk Art Exhibition, The Hannibal Square Folk Art Festival will be a day-long festival on Saturday, April 10, 2010 of art sales by exhibited artists and select Highwaymen, soul food vendors, jazz musicians and a “Kid Folk” program, which teaches children about folk art through the Just Above the Water exhibition and gives them an opportunity to create works of art using folk art methods. Programming and marketing partners will have representation, including the Winter Park Community Redevelopment Association (CRA), and businesses associations: the Hannibal Square Merchant’s Association, the Winter Park Chamber of Commerce and the African American Chamber of Commerce.

125 Windows Into Historic Community:
The Complete Hannibal Square Heritage Collection

July 9 through September 25, Opening reception: Friday, July 9

Visitors—residents, tourists, historians and cultural anthropologists alike--will never have seen 20th century documentation of community like this: The award-winning Heritage Collection: Photographs and Oral Histories of West Winter Park, spanning the 20th century, has been growing with each of the six Heritage Collection Days, since 2002. This successful collection has already outgrown its permanent exhibition space—only 90 pieces are displayed at one time. This special exhibition will fill the Heritage Center with the entire 125 pieces that make up The Heritage Collection. The currently displayed collection will be augmented by archived and new pieces from the most recent Phase VI of the collection.

This is history told as “story” from the lips of people who have lived those stories. Images and oral histories depicting everything from daily life to special neighborhood events and rites of passage will teach about the lives and reflections of many of West Winter Park’s African-American families. What was it like to be part of a community where everyone knew each other…at a time when church was part of nearly everyone’s life…when the family’s first car was cause for celebration…and when everyone had to be back on the West Side of the railroad tracks by 5 p.m.…until 1971. These stories answer those questions and reveal much more about the makings of this proud and beautiful community.

In a climate of intense development throughout their home community, The Heritage Collection has been an exhibition that touched a chord and brought together the African-American residents in an unprecedented way. Residents and the city of Winter Park started paying attention. What was once a whisper became a full chorus tuned to preservation and celebration. The neighborhood continues to be developed—but with an eye on the history and heritage of this special place. Visitors will have a chance to see the entirety of a powerful exhibition that was a catalyst for change in the City of Winter Park, who has since named itself “the City of Culture and Heritage.”

The Art of Hope:
A Regional Juried Exhibition Commemorating the
First African American U.S. President, Barack Obama

a two-venue exhibition held at The Heritage Center and at Crealdé School of Art’s Jenkins Gallery, October 8 through January 15, Opening reception and awards presentation: Friday October 8.

Visual artists from all visual arts mediums, throughout the 9 Southeastern United States (Florida, Georgia, North and South Carolina, Tennessee, Kentucky, Alabama, Mississippi, Louisiana) will be invited to enter this juried exhibition commemorating the significance and the hope surrounding the election and presidency of Barack Obama. Entry fee will be $20, and there will be 3 awards and approximately 60 pieces will be selected for exhibition.

The juror and curator for this exhibition will be Bobby Scroggins, sculptor and Associate Professor of Art at the University of Kentucky and visiting instructor at Crealdé School of Art.

Complementing this exhibition will be the unveiling of the updated Hannibal Square Timeline, which includes the date of the inauguration of the 44th president and 1st African-American president.

Bigger Than A Scrapbook:
The Talking Quilts of Lauren Austin

A two venue exhibition held at The Heritage Center and at Crealdé School of Art’s Jenkins Gallery, January 15 to March 27.

Austin, a New Smyrna-based African-American quilt maker, “tells stories with her quilts that go to the heart of history in African-American culture.” She creates portraits in fabric that portray lifestyle, political and legal themes relating to the black experience and the African Diaspora worldwide. In her art quilts, Austin shares her cultural and family history, her experiences as a U.S. diplomat to South America, and her background as a human and civil rights lawyer and associate law professor at Syracuse University School of Law. Austin has been a community artist in residence at the Atlantic Center for the Arts in New Smyrna Beach. She is currently working on a commission depicting a colony of Bahamian freed slaves that will be dedicated in Freeport, Bahamas, this October. Prior to her two-venue exhibition, Austin will be in residency at the Heritage Center for a two-day community workshop, made possible through the 2009 TDT Cultural Tourism grant. She will teach the quilt-making process to Hannibal Square residents—youth to seniors—who will create a family heirloom quilt plus a collaborative quilt, which will be included in the 2010 exhibition and added to the permanent public art collection of the Heritage Center. The two-venue exhibition will feature Austin’s larger quilt works at the Crealdé Jenkins Gallery and her smaller, community-based works at The Heritage Center. An opening reception will be held at both locations from 7 to 10 p.m., beginning with a gallery talk by the artist at Crealdé’s Jenkins Gallery, followed by a live-music reception at The Heritage Center.


2008-2009 Visiting Exhibition Series

Against All Odds: The Original Highwaymen Painters April 7 - June 27, 2009 Requested by both visitors and residents, Against All Odds: The Original Highwaymen Painters, represents 19 of the original Fort Pierce Highwaymen artists. It chronicles a group of African-American men and women, who, in the midst of the deepest segregation of the post-war era, found success through their paintings depicting Florida's natural landscapes, beautified the world and became part of Florida's cultural history. Curated by noted Highwaymen collector Geoff Cook. On loan from the Orange County Regional History Center from the collection of Geoff Cook.

Sacred Places, Sacred History: Black Churches of West Winter Park

July 7 – September 26, 2009

Black church historian Rebekah McCloud, Ed.D. University of Central Florida, was the winner of the 2003/04 Rhea Marsh and Dorothy Lockhard Smith Research Grant from the Winter Park Public Library. With this funding, McCloud conducted research, wrote educational panels and paired them with photographs to create Sacred Places, Sacred History: Black Churches of West Winter Park. The exhibition explores and provides insight into the rich history of west Winter Park’s churches and the important role they have played in community life.

Linda Schäpper: Central Florida Folk Art Painter of Historic and Sacred Scenes

October 6 – December 19, 2009

Opening Reception: Thursday, October 15, 5:00–8:00 p.m. during the Third Thursday Hannibal Square Stroll

Folk Art painter Linda Schäpper is most widely recognized for her “Family of Christ” tapestry — an enormous patchwork of human figures encircling Jesus on the cross that became the spiritual backdrop for Pope John Paul II’s landmark October 1995 mass in New York’s Central Park, and for her “Nativity II,” which became the 1998 UNICEF Christmas card. Linda Schäpper: Central Florida Folk Art Painter of Historic and Sacred Scenes is an exhibition of paintings depicting African-American community life from a historic perspective. The artist will hold a community workshop August 21–23, 2009.

Centennial Faces

October 7–December 20, 2008

Centennial Faces, on loan from the Museum of Florida History, is a selection of family portraits by Tallahassee photographer Alvan S. Harper. The early 20th century photographs show members of affluent, upper middle-class African-American families in Florida’s capitol city. These portraits disclose a dignity far removed from the poverty and hardship typically portrayed in photographs of African-Americans in the post-Civil War era. Reflections of Harper’s clients’ prosperity are apparent in elaborately beaded dresses and finely tailored waistcoats. The forty-nine portraits comprising the exhibit are only a fraction of the two thousand glass plate negatives in the Alvan S. Harper Collection in the Florida State Archives.

A Decade of Zora! Festival Posters

January 13–March 28, 2009

A Decade of Zora! Festival Posters celebrates the 20th Anniversary of the internationally known ZORA! Festival with official posters from ten years of past festivals. Each poster is a print of the work by some of the 20th century’s most noted African-American artists, including Jacob Lawrence, Elizabeth Catlett, Romare Bearden, Faith Ringgold and the late Dr. John Biggers. Curated by Dr. M.J. Hewitt, member of the ZORA! Festival National Planners and former co-editor of the International Review of African-American Art. On loan from the Zora Neale Hurston National Museum of Fine Arts.

The Hannibal Square Heritage Center is honored to celebrate the Zora Neale Hurston Festival’s 20th Anniversary by exhibiting the posters created to recognize some of the most noted African American artists of the 20th century. We salute the contributions of this internationally recognized festival, its longtime director Mrs. N.Y. Nathiri, and of course, author and folklorist Zora Neale Hurston, for their tremendous contributions to the culture of our region, the nation, and the world.
-Peter Schreyer, Executive Director, Crealdé School of Art, at the opening reception

2007-2008 Visiting Exhibition Series

South Apopka: A Community Portrait by Photographer Bob Michaels May 2-July 26, 2008 South Apopka, with its deep roots to the past, is characterized by remaining almost entirely African-American. This exhibition features portraits and social landscapes of this unique Central Florida community by Crealdé alumni Bob Michaels. The exhibition was curated by Peter Schreyer, one of his instructors and mentors. Some of these photographs were exhibited at the Apopka History Museum during Black History Month in 2007. "South Apopka represents the African-American community that bounds my home, the City of Apopka, Florida. This area has a long history, rich cultural heritage, a real sense of community, and some extraordinary people. It is a traditional small town (of the sort that has passed away in the modern era) where everyone seems to know everyone else. South Apopka is unique among rapidly expanding Central Florida in having almost no population turnover. Most of the residents were born there, including a number of third- and fourth-generation natives. It is common to hear several people recalling events that happened over fifty years ago but where everyone was present. It is truly a throwback to an old time when the population of central Florida was a very small fraction of what it is today." -Bob Michaels

A Hannibal Square Portrait: Plein-Air Painting by Tom Sadler and His Students

March 13 – June 28, 2008

During the inaugural session of classes at the new Hannibal Square Heritage Center in the fall of 2008, Crealdé associate faculty member Tom Sadler and his plein-air painting students captured moments in time on Hannibal Square. The class focused on paintings of the historic area and its mix of the old and new. Some of the old churches are featured in several of the works while others focus in on the shops in the square itself. Works in this exhibition also include the old houses in the area, which sometimes incorporate a new building under construction in the background. The Hannibal Square area is undergoing extensive transition and this change is portrayed sometimes dramatically, and in other cases more subtly, through paint on canvas. Curated by Tom Sadler. (Above image: Yellow House by Claudia Backes, part of the permanent collection of the Heritage Center.)

“The Urban Landscape Painting class set out to capture the essence of the area ‘west of the tracks’ in Winter Park, which is an area in transition. Plein-air and studio work were combined in the effort to portray on canvas what the students found interesting to the eye. Old churches under raking light, colorful store fronts around Hannibal Square, and older homes with the evidence of new construction looming in the background … all were fair game. One student learned ‘that the people who live in the Hannibal Square neighborhood are some of the most genuine people in the world’ and that painting the area ‘very likely changed my life.’”
—Tom Sadler, Associate Faculty, Crealdé School of Art, March 14, 2008

“The class of painters immediately bought into the subject and immersed themselves in the tranquil scenes and beautiful fall light of the Hannibal Square community, without ignoring the sometimes unsettling transitional quality of the cultural and social landscape of the neighborhood. I was impressed how the artists captured much of the beautiful community mood I had loved about Hannibal Square for many years. To my knowledge, the presented body of work represents the first serious attempt to portray this historic community in paintings. The colorful and heartfelt studies add a beautiful contrast to the Heritage Collection of black and white photographs and oral histories contributed by the residents themselves for permanent display at the center.
—Peter Schreyer, Executive Director, Crealdé School of Art, Spring, 2008

The World of Mr. Imagination, Two-Venue Exhibition

January 18 – March 1, 2008

This exhibition was presented at both the Alice & William Jenkins Gallery at Crealdé and the Hannibal Square Heritage Center Gallery. As a tribute to Black History Month, the Smithsonian-collected, Pennsylvania-based artist returned for a major exhibition of his sculptures, constructions and installations. Presented in partnership with Jeanine Taylor Folk Art, The Golden Rule Foundation, and the City of Winter Park. (Photograph at left by Peter Schreyer)

Mr. Imagination (born Gregory Warmack) took a new name when he survived a near-fatal shooting in 1978. His brush with death inspired him to craft a spiritual renaissance in his creations—an awakening which now propels his art toward a declaration of faith and a sense of pride and dignity in his heritage and personal history. His art can be found at the Smithsonian Institute, the Museum of American Folk Art in New York, and the House of Blues in both Chicago and Orlando.

During a two-week residency at the Heritage Center, Mr. Imagination worked with assistant Lynn Tomlinson (Crealdé artist and Director of the 2007 Community Pride Mosaic Mural across the street at the community center) to lead community members, artists, and area school children in the creation of a Memory Wall public art sculpture installation in front of the Heritage Center. The collaborative public art effort—a Golden Rule Community Project—was initiated as part of the Unity Heritage Festival in celebration of Dr. Martin Luther King Day. The Memory Wall was unveiled at the Heritage Center during a special reception for guests from the 19th Annual Zora Neale Hurston Festival of the Arts and Humanities in Eatonville. The Mr. Imagination residency and Memory Wall project was presented by Crealdé School of Art in partnership with the Golden Rule Foundation, Jeanine Taylor Folk Art, and the City of Winter Park

Winter Park Collects Folk Art

October 13—December 23, 2007

Presented in partnership with the Jeanine Taylor Folk Art Gallery, the exhibit featured f African-American folk art collections from local residents. The exhibition was launched with a Gala fundraiser, including live music by the First World Drummers and Dancers outside, and jazz and blues singer Ruth King inside the Heritage Center and proceeds from this event went to support the Heritage Center’s mission to celebrate the past, present, and future contributions of Winter Park’s west side community.

Ruby C. Williams, Folk Artist

Ruby Williams grew up in Bealsville, Florida—a community formed by her ancestors, freed slaves in the 1860s. It is these roots that form the stage for Ruby’s produce stand and “walk in” gallery on State Road 60. Ruby Williams’ art career began when a passer-by noticed her brightly painted signs advertising her fruits and vegetables. With coaxing from him and others, this spiritual businesswoman, minister and grandmother embarked on the journey that has led her into classrooms, galleries and museums in Florida, as well as nationally.

Recently Williams illustrated a charming children’s book titled, I Am Ruby. “I’ve been ministering since I was a kid ... I do everything from the bottom of my heart, whether shelling a bucket of beans or making a painting.” Her brightly colored paintings speak her messages loudly and clearly. “... I like when people look at it and smile.”

Ruby Williams was recently honored with a Florida Folk Life Award in Tallahassee and was included in the show, “On Their Own — Selected Self-taught Artists,” at the Smithsonian Anacostia Museum in Washington, D.C.

Crealde School of Art City of Winter Park Orange County, Florida United Arts of Central Florida logo Culture Builds Florida
The Hannibal Square Heritage Center is a project of the City of Winter Park and the Community Redevelopment Agency, operated by Crealdé School of Art, a non-profit organization, and the Parks and Recreation Department of the City of Winter Park. Crealdé School of Art is a non-profit art organization supported in part by memberships, the State of Florida, Department of State, Division of Cultural Affairs; the Florida Arts Council; United Arts of Central Florida; and various private foundations.